Subject: Thousands of Men Saved from BPH by the Prostate “Water Glass Test”

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Date: Tue, 7 Feb 2023 08:08:14 -0800 (PST)

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Content preview:  Thousands of Men Saved from BPH by the Prostate “Water Glass
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Subject: Thousands of Men Saved from BPH by the Prostate “Water Glass Test”
From: "Prostadine" <[email-masked]>
To: <[email-masked]>
Date: Tue, 7 Feb 2023 08:08:14 -0800 (PST)

Thousands of Men Saved from BPH by the Prostate “Water Glass Test”

http://samsclubsurvey.today/JXa-Vhd92vDQaX3Dg5R44xofzBieYfyZhkZxAMl8QmqxP9G1

http://samsclubsurvey.today/jUdJcNWPRJX20RoS03wgukPyEl6Sj0iN-AZo6OlTo2Jsqshs

he closing chorale is "Ertöt uns durch dein Güte" ("Kill us through your goodness" or "Us mortify through kindness"), the fifth stanza of Elisabeth Cruciger's "Herr Christ, der einig Gotts Sohn". Its melody is based on one from Wolflein Lochamer's Lochamer-Liederbuch, printed in Nürnberg around 1455. It first appears as a sacred tune in Johann Walter's Wittenberg hymnal Eyn geystlich Gesangk Buchleyn (1524).

The usual four-part setting of the voices is brightened by continuous runs of the oboe and violin I. Isoyama thinks that Bach may have intentionally imitated the style of his predecessor Johann Kuhnau in the "elegantly flowing obbligato for oboe and first violin". John Eliot Gardiner describes the movement's bass line as a "walking bass as a symbol of the disciples' journey to fulfilment." Mincham comments that Bach "chose to maintain the established mood of buoyancy and optimism with a chorale arrangement of almost unparalleled energy and gaiety" and concludes:
It would seem that Bach had not yet reached a conclusion, if indeed he ever did, as to the most appropriate way of utilising the chorales in his cantatas. Certainly the quiet, closing moments of reflection and introspection became the